“Combustible” (Hi no Youjin) is made by Katsuhiro Otomo in 2012.
It won the Grand Prize at the 16th Japan Media Arts Festival and the 67th Noburou Oofuji Award at the 2012 Mainichi Film Awards.
Winner of the Platinum Grand Prize during the 2014 Future Film Festival, held in Italy.
Q: “Akira” was set in Neo-Tokyo, “Combustible” is set in Edo and you’ve created a number of other works that are also set in Japan. Is the Japanese setting a personal preference?
A: Not really. It’s just that I understand Japan, so it’s easier to create works in this setting. “Steamboy” is set in London but that was much harder.
Q: What aspects were you most particular about with this latest work?
A: I really struggled to try to make Edo look realistic in animation. I collected various materials and visited museums,
but the more I researched the more things just kept coming up.
It’s not up to historian standards, but by being too accurate with the portrayal it begins to look a little too strange and unfamiliar to regular people,
so rather than a realistic approach, I mainly focused on trying to achieve an aesthetic close to the style of Japanese picture scrolls.
The city of Edo, the 18th century.
Owaka, the daughter of a merchant family, and her childhood friend Matsukichi. The two were drawn to each other, but Matsukichi has been disowned by his family and is working for the city fire brigade. Meanwhile, negotiations begin for the arrangement of Owaka’s marriage.
Unable to let go of her thoughts of Matsukichi, her mad emotions make her bring about a massive inferno which razes Edo. By chance encounter, the two meet again amidst the fires.
It is an epic spectacle set against the stage of the massive metropolis of Edo.(more)